Baroque Spires Walk
Thirty churches, one golden afternoon. Trace the skyline from St. Anne's to the Cathedral belfry.
A warm, hand-set identity for Vilnius — baroque sun, Baltic gold, and the slow craft of a place worth lingering in.
Warm cream paper, struck with letterpress ink and lit by Baltic gold. Oxblood and dusk blue carry the accents.
Fraunces — a soft, high-contrast display serif — leads. Spectral carries the body; Space Mono marks the captions and ledger lines.
Cobbled lanes spool out from Cathedral Square, past bell-towers the colour of toasted bread and shopfronts glowing with Baltic gold. The body type stays calm and readable so the city, not the page, does the talking.
Every control is a printed object — hard ink borders, offset shadows, and a satisfying push on press.
Cards behave like printed ephemera — folk-pattern covers, ink frames, and a lift on hover like peeling a stamp from a sheet.
Thirty churches, one golden afternoon. Trace the skyline from St. Anne's to the Cathedral belfry.
Hand-set Baltic gold and woven linen from makers along the Vilnia river.
Ride the funicular and watch the amber hour pour over the rooftops of the old town.
All the parts, set together — a promotional band as it would appear on the live site.
A curated long-weekend pass — guided spires walk, Užupis amber workshop, and a sunset on Gediminas Hill, all in golden light.